This month we present 3 audio compositions by Peter Crimmins made to accompany Grizzly Grizzly’s exhibition, “B-Sides,” at Rebekah Templeton Contemporary Art for the CITYWIDE collective exchange.
In Peter’s own words:
The audio pieces I created for Grizzly Grizzly play with — and hopefully expand — the tropes of a museum audio tour. The pieces start with the voice (I interviewed all six members of Grizzly Grizzly on tape) but are not necessarily linear. Each of the three stops pairs two members of the collective talking about their work.
I started with the material of my own art: sound. Based on what they said on the recordings, I searched for connections. Then, as though it were paint on a canvas, I pushed the sound around until it felt right.
I discovered that all of the members of Grizzly Grizzly struggle with narrative. They all harbor a compulsion to tell stories, and they fight to free their work from the constraints of storytelling. A work that “makes sense” usually makes a single kind of sense, keeping it from working on you, abstractly.
Likewise, the Grizzly Grizzly tour does not attempt to describe the art, explain what it means, or tell the story of the artist. Rather, the audio tour is a sonic extension of the artist collective’s process.
Peter Crimmin’s full statement accompanying his audio pieces can be read at NewsWorks: When Art has no Story to Tell, It Doesn’t Need to Make Sense